Bogor Culture

Bogor Culture . Bogor is one of the Tatar Sunda region that is rich in archaeological resources from various periods of culture. Relics, among others from the prehistoric period to the next cultural periods, such as the classical Islamic period, as well as from the European influence. Distribution of the location of the discovery of the relics are scattered throughout the region almost Bogor. From the prehistoric era, archeological remains that can temporarily as part of keprasejarahan Bogor City area, of which derived from cultural traditions that began to grow and evolve since the days of farming (Neolithic), namely in the form of objects and buildings associated traditions or rituals associated with exaltation of ancestral spirits, ie objects and buildings belonging to the tradition of megalithic culture. In the past, according to von Heine Geldern (1945), this cultural tradition of deduced enter and thrive in the area of ​​the archipelago since 3000 years BC, and then continue to evolve through the period of history. Because of the length range of this cultural development, and later referred to as the traditions of megalithic culture.

In the history of cultural development in Indonesia, the Bogor area in the past, have recorded a very Mashur ancient kingdom known as "pakwan Padjajaran". Dikemukan numerous experts on this kingdom, some of which concluded that the city of Bogor in the past is part of the center Pakwan Padjadjaran ". Classical period in the city of Bogor in the past is evidenced by a number of findings in the form of inscriptions and stone statues representing the classical period that never took place in the past.

Meanwhile, the influence of Islamic culture in the city of Bogor in the past has also left some remnants of material culture. And in the era of modern residential characterized by colonization, which began to evolve since the 1800s in the city of Bogor had also left various forms of archaeological relics in the form of office buildings, houses, houses of worship that shows the style of European architecture, and European architecture combined with traditional architecture.

At the end of foreign rule in the city of Bogor in the past, although only in a relatively short span of time between the years 1942-1945, the Japanese have ever dreamed of as a ruler in the eastern parts of the world, also has left a number of buildings that can be recorded as part of a long cultural trajectory that never took place in the city of Bogor in the past.

Bogor is one of the Tatar Sunda region that is rich in archaeological resources from various periods of culture. Relics, among others from the prehistoric period to the next cultural periods, such as the classical Islamic period, as well as from the European influence. Distribution of the location of the discovery of the relics are scattered throughout the region almost Bogor. From the prehistoric era, archeological remains that can temporarily as part of keprasejarahan Bogor City area, of which derived from cultural traditions that began to grow and evolve since the days of farming (Neolithic), namely in the form of objects and buildings associated traditions or rituals associated with exaltation of ancestral spirits, ie objects and buildings belonging to the tradition of megalithic culture. In the past, according to von Heine Geldern (1945), this cultural tradition of deduced enter and thrive in the area of ​​the archipelago since 3000 years BC, and then continue to evolve through the period of history. Because of the length range of this cultural development, and later referred to as the traditions of megalithic culture.

In the history of cultural development in Indonesia, the Bogor area in the past, have recorded a very Mashur ancient kingdom known as "pakwan Padjajaran". Dikemukan numerous experts on this kingdom, some of which concluded that the city of Bogor in the past is part of the center Pakwan Padjadjaran ". Classical period in the city of Bogor in the past is evidenced by a number of findings in the form of inscriptions and stone statues representing the classical period that never took place in the past.

Meanwhile, the influence of Islamic culture in the city of Bogor in the past has also left some remnants of material culture. And in the era of modern residential characterized by colonization, which began to evolve since the 1800s in the city of Bogor had also left various forms of archaeological relics in the form of office buildings, houses, houses of worship that shows the style of European architecture, and European architecture combined with traditional architecture. Bogor Culture indonesian.

At the end of foreign rule in the city of Bogor in the past, although only in a relatively short span of time between the years 1942-1945, the Japanese have ever dreamed of as a ruler in the eastern parts of the world, also has left a number of buildings that can be recorded as part of a long cultural trajectory that never took place in the city of Bogor in the past.

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Kinds of Indonesian Culture

Indonesian culture .

The national culture

The national culture is easy to understand as a culture that is recognized as a national identity. The definition of national culture according to MPR No.II of 1998, namely:

The national culture is based on Pancasila is the embodiment of creativity, work and intention of Indonesia and is an overall effort to develop Indonesia's human dignity as a nation, and are directed to provide insight and meaning to national development in all fields of national life. Thus the National Development is a development of culture.

Also mentioned in the next chapter that national culture also reflect the noble values ​​of the nation. It appears that the limits of national culture that formulated by the government-oriented national development based on the spirit of Pancasila.

National culture in view of Ki Hajar Dewantara is "the peaks of the regional culture". Quote this statement refers to understand the unity of the more established, so that more and more perceived than ketunggalikaan diversity. His form a unitary state, national economy, national laws, as well as the national language. Definition given by Koentjaraningrat can be seen from peryataannya: "a distinctive and quality of any ethnic origin, the origin could identify themselves and create a sense of pride, that national culture". This statement refers to the tops of the regional culture and ethnic culture which can cause a sense of pride for Indonesia if they are shown to represent a shared identity.

Statements contained in the Guidelines of State Policy is a translation of the 1945 Constitution Article 32. Today the figures are questioning the existence of the Indonesian culture and national culture, regional culture related to the abolition of the three sentence explanation to section 32 and the emergence of a new paragraph. They questioned the possibility of division by the culture of the region if the boundary of the national culture is not explained clearly.

Before the amendment, the 1945 uses two terms to identify the areas of culture and national culture. National culture, is the old cultures and contained the original as a peak-peak areas throughout Indonesia, while the national culture itself is understood as a cultural geese already be in a position that has meaning for the whole of Indonesia. In a unifying national culture there are elements of Banga Indonesia is already aware of and had a late spread nationally. In it there are elements of national culture and foreign cultural elements, as well as elements of a new creation or invention of national results.

Regional culture

The whole area of ​​culture that come from diverse cultural ethnic groups in Indonesia are an integral part of Indonesian culture.

Indonesia Cultural although varied, but basically formed and influenced by other great cultures such as Chinese culture, Indian culture and Arab culture. Indian culture, especially coming from the spread of Hindu and Buddhist religions in the archipelago long before Indonesia was formed. Kingdoms breath Hinduism and Buddhism was dominated archipelago in the 5th century BC was marked by the founding of the oldest kingdoms in the archipelago, Kutai, until the end of the 15th century AD.

Chinese culture in and influence the culture of Indonesia due to the interaction of intense trade between Chinese merchants and Nusantara (Srivijaya). In addition, many of them entered with nomads-Chinese nomads who came from southern China and settled in the archipelago. They settled and married local residents produces a mix of local Chinese culture and unique. Culture like this that later became one of the roots of modern local culture than in Indonesia such as Javanese and Betawi culture.

Arab culture entered along with the spread of Islam by Arab traders who arrive in the archipelago on their way to China.

The arrival of European explorers since the 16th century to the archipelago, and the subsequent ongoing occupation, carrying various forms of Western culture and shaping modern Indonesian culture as it can be found now. Technological, organizational and political systems, social systems, various elements of culture such as cuisine, fashion, economy, and so on, are adopting western culture which is gradually integrated into society.Kinds of Indonesian Culture

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