Ampera Attract Visitors-Palembang Culture-Tourism

Ampera Attract Visitors, Two favorite place in Palembang, the Citadel Plaza Religious Tourism (BKB) and the Ampera Bridge, visited by tourists during the holiday season impromptu Lebaran.

Various types of vehicles from outside South Sumatra BKB looks crowded parking lots and lined up on the bridge which has been a landmark of Palembang. In fact, many of the visitors took time to take pictures and enjoy the atmosphere of the Musi River on the bridge Wong Kito's pride.palembang culture.

Admittedly, the atmosphere around the Ampera Bridge, especially at night, exuding a charm that is so beautiful and not easily forgotten for immigrants. Moreover, colorful decorative lights on the sidelines of temaramnya banks of the Musi River flows also reflect the captivating blend of colors in the surface water of the river and surrounding area attractions such water.

Yes, to lure visitors, the City Government (City Government) Palembang was deliberately set up a variety of different decorative lights along the bridge and in the second tower of the bridge, including the surrounding area of ​​BKB. But unfortunately, a lack of awareness among tourists and the absence of such impromptu officer on guard around the area make the traffic flow on the bridge became stuck and seem chaotic.

Because motor vehicles, particularly four-wheel vehicle that brought the travelers, mostly parked on the bridge to close nearly half ruasjalan.Belumlagi, beberapakendaraan two wheels which are also parked on the edge of the sidewalk bridge also adds to the complexity of traffic on the bridge.

As a result, a number of passing motorists who were forced to reduce speed. Fragrant, 42, travelers from Jakarta, admitted deliberately celebrated Lebaran this time with his family who lived in the area Sekip weir, Palembang. According to him, after a stay in touch, the rest of Ramadhan intentionally exploited to surround the city of Palembang and the various tourist attractions in the city.

Although she admitted had been to the BKB and enjoy the beauty of the Musi River on the Ampera Bridge, he had never looked at the Musi River during the night hari.Karena that, at this time Fitri holiday, he and his family returned to the bridge of community pride Palembang at night.

"It was true once, the night atmosphere (Musi River) from here (Ampera Bridge) is more beautiful. The lights from houses and factories along the Musi River looks more alive, "he said when dibincangi SI last night. Harum also admitted, the court of BKB and locations around the Ampera Bridge is now very good arrangement.

Only, according to him, as usual tourist attractions in other areas, the Ampera Bridge BKB is still very minimal seller a souvenir of Palembang. So, the travelers who travel to this place a little difficult to find by-the typical Palembang. "Unfortunately there are not stores that sell a memento that will remind visitors of Ampera Bridge.

Indeed there is a sale, but its location is rather far away, yes, "he regrets. Meanwhile, Dudi Santoso, who co-tourists from Bandung to enjoy the beauty of the Musi River, suggest, Palembang City Government should strive to organize the street hawkers (street vendors) operating in BKB.

Because of the placement, the street vendors are not only interfere with the scenery, but also makes the location of the slums around the region. "My advice, the street vendors who sell food and soft drinks as well as selling toys arranged in a special place. So, the comfort of visitors is not compromised, "said civil servant in one department in the District of Bandung.

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Kinds of Indonesian Culture

Indonesian culture .

The national culture

The national culture is easy to understand as a culture that is recognized as a national identity. The definition of national culture according to MPR No.II of 1998, namely:

The national culture is based on Pancasila is the embodiment of creativity, work and intention of Indonesia and is an overall effort to develop Indonesia's human dignity as a nation, and are directed to provide insight and meaning to national development in all fields of national life. Thus the National Development is a development of culture.

Also mentioned in the next chapter that national culture also reflect the noble values ​​of the nation. It appears that the limits of national culture that formulated by the government-oriented national development based on the spirit of Pancasila.

National culture in view of Ki Hajar Dewantara is "the peaks of the regional culture". Quote this statement refers to understand the unity of the more established, so that more and more perceived than ketunggalikaan diversity. His form a unitary state, national economy, national laws, as well as the national language. Definition given by Koentjaraningrat can be seen from peryataannya: "a distinctive and quality of any ethnic origin, the origin could identify themselves and create a sense of pride, that national culture". This statement refers to the tops of the regional culture and ethnic culture which can cause a sense of pride for Indonesia if they are shown to represent a shared identity.

Statements contained in the Guidelines of State Policy is a translation of the 1945 Constitution Article 32. Today the figures are questioning the existence of the Indonesian culture and national culture, regional culture related to the abolition of the three sentence explanation to section 32 and the emergence of a new paragraph. They questioned the possibility of division by the culture of the region if the boundary of the national culture is not explained clearly.

Before the amendment, the 1945 uses two terms to identify the areas of culture and national culture. National culture, is the old cultures and contained the original as a peak-peak areas throughout Indonesia, while the national culture itself is understood as a cultural geese already be in a position that has meaning for the whole of Indonesia. In a unifying national culture there are elements of Banga Indonesia is already aware of and had a late spread nationally. In it there are elements of national culture and foreign cultural elements, as well as elements of a new creation or invention of national results.

Regional culture

The whole area of ​​culture that come from diverse cultural ethnic groups in Indonesia are an integral part of Indonesian culture.

Indonesia Cultural although varied, but basically formed and influenced by other great cultures such as Chinese culture, Indian culture and Arab culture. Indian culture, especially coming from the spread of Hindu and Buddhist religions in the archipelago long before Indonesia was formed. Kingdoms breath Hinduism and Buddhism was dominated archipelago in the 5th century BC was marked by the founding of the oldest kingdoms in the archipelago, Kutai, until the end of the 15th century AD.

Chinese culture in and influence the culture of Indonesia due to the interaction of intense trade between Chinese merchants and Nusantara (Srivijaya). In addition, many of them entered with nomads-Chinese nomads who came from southern China and settled in the archipelago. They settled and married local residents produces a mix of local Chinese culture and unique. Culture like this that later became one of the roots of modern local culture than in Indonesia such as Javanese and Betawi culture.

Arab culture entered along with the spread of Islam by Arab traders who arrive in the archipelago on their way to China.

The arrival of European explorers since the 16th century to the archipelago, and the subsequent ongoing occupation, carrying various forms of Western culture and shaping modern Indonesian culture as it can be found now. Technological, organizational and political systems, social systems, various elements of culture such as cuisine, fashion, economy, and so on, are adopting western culture which is gradually integrated into society.Kinds of Indonesian Culture

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